Details, details...

Details. There are only so many story tropes. It's the details that make it your story--or mine. Every writer has a working style. Some do elaborate outlines as they work out the story details in their mind. Some just sit down and write and work out the details as they go along. And then there are the hybrids--the writers like me who start writing what I call a jumpstart, and keep going until the details start popping up.

When they (the details) start intruding on the writing experience, it's time to stop and work on the synopsis/outline and research how the details will influence the story.

 The series I'm currently working on has been called "Fractured Faerytales at King Arthur's Court". The heroine in this book, Gardenia, has acquired a cloak (she was cold) and a staff (a handy weapon) and a pair of boots (we won't discuss what happened to her old ones.) One of the heroes has acquired a scarlet cap and two bronze wristlets.

Suddenly, I realized my characters had all this great stuff. Shouldn't it do something? Let's see. What could the boots do. Well, my character has already decided they are Merlin's magic boots. How do they work? What faerytale/familiar story would magic boots represent?

Ahhhh. Research time. So far, I've accounted for the boots, cloak, staff and hat. I haven't run across a story for the wristlets. I'll persevere.

In the meantime, each item will serve to move the story along. Did I plan it? No. But this is not the first time my brain has apparently been percolating along on its own, just waiting for me to have that ah-hah moment. With the synopsis/outline thingy more or less complete, I'll dive back into the writing.

I seldom stick to the plan--at least not closely. But it provides a springboard for other ideas. And with the Flowers of Camelot, that's pretty much the best I can ask for.

anny