Showing posts with label Traveller's Refuge. Show all posts
Showing posts with label Traveller's Refuge. Show all posts

Monday, February 6, 2012

Free Book!

Free book? Well, yes! Beginning today and for the next two weeks my publisher, Ellora's Cave, is offering Traveller's Refuge for FREE on both the home site AND third party sites. If you ever wanted to read about my blue people and see what the excitement is all about--here's your chance.
Blurb:
Framed and running for his life, Traveller Devereaux decides to follow his missing brother Dancer, using the clues he left behind when he disappeared. They lead Traveller to the mysterious Mystic Valley where the people are blue, the flora and fauna are decidedly odd, and the mating customs are definitely different.

On his journey to the Valley, he is injured in a serious accident that traps him in a cave with his best friend, Bishop. Bish finds the hidden tunnel leading to the valley and takes Traveller to safety. Trav’s slow recovery allows him much needed time to adjust to the valley and fall in love with Wrenna, the woman chosen as his bond mate. When he finds out that she is related to the man who murdered his parents and siblings, he must choose between the woman he loves and her murderous grandfather.

Excerpt:
Bishop Llewellyn woke with the certainty that it was not going to be a good day. His head was full of tiny elves industriously beating on drums. His stomach was jumping in time to the drum beating. And his arms were twisted uncomfortably behind his back, where they appeared to be tied to his ankles. No, it wasn’t going to be a good day. A dark bag that seemed to be impregnated with cow manure was pulled over his head. He sincerely hoped that most of the cow manure had been emptied from the bag before he had dubious pleasure of its acquaintance. As he carefully took stock of his situation, he realized that he was stark naked and cold and had been rather carelessly dumped on the rough metal floor of a moving vehicle. It was a stupid way to spend his forty-fifth birthday.

The speed at which the vehicle was moving down something that resembled a dry pot-holed river bed did not auger well for either the vehicle or his skin. He bounced from one side to the other, slamming into hard pointy objects and concluded with faint resignation that he had no hope of getting out of this situation with a whole skin. The vehicle slammed to a stop and he heard the driver get out and shut the door. A few seconds later, the back door was opened and he was yanked toward the opening, losing more skin on the way. Almost with relief, he felt the tiny needle prick in his ankle and then he knew no more.

When he woke next, the elves were still with him but he was stretched out on the cold ground with his arms and legs firmly tied to stakes. And much to his dismay, he was still naked. The odiferous bag had been removed from his head and he saw that he was surrounded by darkness. About six feet away, a small fire was merrily crackling but it provided no heat for him. The duct tape that had covered his mouth had obviously been ripped off, taking part of his skin and mustache with it. It still burned, so he decided he was glad that he had not been conscious for that particular delight. His field of vision was limited but it seemed to him that he was in a cave.

“Happy Birthday, Bishop. I see you decided to finally rejoin the almost living,” a dark velvety voice observed and he knew exactly why he was in this situation.

“‘Lo, Trav,” he said casually. “Lots of work to piss off my father.”

“Now, Bish,” he was assured, “nothing is too much work to piss off your father.” Traveller moved into his field of vision and looked down at him. “You don’t look very comfortable, Bish. Aren’t you cold, like that?”

“Freezing,” Bish replied curtly. “But I’m sure you have something in mind to warm me up, so I’m not too worried about it.” He shivered artistically but Trav wasn’t buying. “So, what’s the deal? Are we waiting for a party? Or is this a stag deal?”

“Just you and me,” Trav informed him agreeably. “Straight trade. You for Dance.”

“And if Dad doesn’t have Dancer?” Bish didn’t think that his father had Dancer.

“We-ll, we’ll get to be better friends than we are now.” Traveller laughed quietly, sending chills up Bishop’s back. “I do hope that your father believed me when I said that I won’t negotiate.” He moved away and Bish heard the sound of liquid splashing into a container. “Are you thirsty?”

“I could use some water,” Bish replied.

“Here. Turn your head,” Trav instructed as he held a metal cup to Bish’s mouth. “There are approximately six hundred men out there on the mountain, trying to pinpoint this position. One of them is your girlfriend’s father, Carl DeMarko.” he said casually, as he tossed his heavy auburn braid back over his shoulder.

“Tiff’s not my girlfriend,” Bish declared curtly. “She’s a Fed they sicced on me when you disappeared.”

“I see. Now it’s my fault you were sleeping with that foul-mouthed wild cat?”

Bish shrugged. “Why turn down what’s offered?”

“Oh, maybe because she might just stick her gun up your butt and pull the trigger?”

Monday, January 23, 2012

Written into the Corner

One of the problems writers face is that terrible moment when they write their story into an impossible predicament. The story stops right on the edge of a cliff with nowhere to go. This happened to me over the weekend. I needed a conflict, a confrontation, and had no way to engineer it because I'd snowed my characters in. No way to escape, either. Hmmmm.

Disgusted and irritated, I backtracked to see where I was going to have to make changes, only to discover the solution was already there. A small, insignificant detail I'd tossed into the story several chapters earlier saved the day. In fact, it provided the vehicle for the confrontation and the possibility of escape.

I'm a pantster--a writer who sits down and writes without elaborate plotting ahead of time. I have a vague notion of the general outlines of the story, but no written notes. I keep a notepad next to the computer so I can jot down the odd detail for my story bible. You know--things like eye color, hair color, secondary character names, made-up words for animals/plants/stuff in my imaginary worlds.

In my Mystic Valley books, the men wear their long hair in many small braids tipped by special beads called chinkas. That was a detail set up in Dancer's Delight, book one. Where did the name come from? I have no idea. It was just there.

It wasn't until late in book two, Traveller's Refuge, that I found out why the beads were called chinkas. The scene flowed effortlessly as I wrote it:

The light breeze spread the scent of rain and quoltania bushes through the open window. Dancer enjoyed the light cinnamony scent and breathed in appreciatively before shifting to cuddle closer with Eppie. He spread his hand across her belly and rubbed their baby gently, careful not to wake Eppie. He froze when a tiny out-of-place sound wafted through the open window. A few seconds later, he caught the slight brush of fabric and silently he slipped from the bed, moving across the room to the window.
 
Peeking from behind the soft curtains, he saw a man stalking down the path to the back gate. Grabbing his sharda, he shinnied over the windowsill and soundlessly followed him as far as the river. Within a few feet, he knew he was trailing Merlyn but he was intensely curious about what could possibly bring his bond-father out in the rain in the middle of the night.
 
When Merlyn crossed the bridge and headed out into the open field past the training halls, Dancer waited until the buildings were between them and followed. He sank down in the deepest shadow in a dark corner and waited for a few moments, in case Merlyn returned. Just as he was satisfied that Merlyn wasn’t coming back his way, he heard a soft footstep on the bridge and barely made out the figure of Llyon coming his way.
 
Breathing shallowly, he squatted motionless in the dark while Llyon softly passed him in the rain. Slipping around the end of the building so that it was between him and the bridge, he crept to the corner until he could see the field clearly. The fine hairs along his spine tightened as he watched the small group of men in astonishment. There on the field he saw why the hair ornaments were called chinkas.
 
While all of the men stood in a semicircle watching intently, Llyon spun rapidly toward a practice dummy, his braids whipping out around him from the centrifugal force. When he came within reach of the dummy, the chinkas struck it with deadly force, making a very distinctive sound. Chinka, chinka, chinka. Dancer shuddered as he watched Llyon’s lethal dance shred the dummy.

That is an example of my subconscious working independently. If happens often when I'm writing. I could fill a book with examples of small details that take on a life of their own elsewhere in the story. The thing is, I can't plan this. I have tried. It would be so much more convenient, you know?

Instead, when I've painted myself into that clichéd corner, I know it's time to ponder the details, time to pinpoint that small bit that's going to fix my problem. How about you? Do you have a writing quirk that no one else seems to have?

anny

Thursday, May 6, 2010

Lookee, lookee!

Had a wonderful surprise yesterday... a new print book edition of two of my Mystic Valley stories--Everything Lovers Can Know and Traveller's Refuge! They're available in this very pretty print edition titled Lovers' Refuge. Want more info? Just click on the title!

Wanted to also mention I have two other books available in print. For autographed copies of Dancer's Delight or Carnal Camelot, get in touch with Lauretta at Constellation Books--she's more than happy to mail them to you!

Of course, they're also available at Ellora's Cave site or Amazon...

All right, now that bit of exciting business is done, I wanted to also point out this blog has a new page titled Blue People. If you look in the upper right at the top of the side bar, you'll see a link. Over the next few weeks I'll be adding new pages with information and hi-lights about my books, writing, plans, etc. I hope you'll check them out as they show up.

I may even post sneak peeks or excerpts on there. You never know what will show up!

And speaking of sneak peeks, I need to get back to the writing. Working on Beau and Emmeline's story today and it's getting to the "good" part!

Y'all have a wonderful day!

anny

Friday, November 30, 2007

The Art of Inventing Non-humans


Werewolves! Vampires! Aliens! Creatures of all descriptions and with all sorts of paranormal abilities abound in the romance world. How do your invent your own creation? How do you make them unique and yet, believable?


Much like world building, you decide your parameters. What special abilities does you character have? What vulnerabilities do they have? What do they look like? How is their body different from a human body? If your character is going to have a sexual relationship with a human, how do those differences affect that?


Let's take the ever popular vampire...a vulnerability that is pretty common is that they can't be in the sun. Another one is that they require human blood to survive. If your vampire isn't going to have to contend with those two issues, then what exactly makes him/her a vampire? Your parameters must be clearly stated in order for your story to work.


I once read a vampire story where it was clear that the writer hadn't made any decisions about what the vampire really was going to contend with. On one page he desperately needed blood--so much so that he attacked a human in a park. Three pages later he was having a steak dinner complete with dessert and wine with his werewolf friend. Several pages later he he was driving in the desert (wearing his sunglasses with the top down on his convertible) during the day. Two chapters later, he very seriously explains to the heroine how the sun will kill him.


Once you decide on the parameters and description for the character, then you can decide how those limitations and abilities will enhance the story. Always, always, you must remember what that character can and cannot do.


In my Mystic Valley series, the valley people are blue. They have pointed ears and small fanged eye-teeth. The genitalia on all humans tends to be a slightly darker shade that the rest of the body, whatever that primary shade. However, it's usually a hue that ranges from rosy pink to light red. I had to translate that quality to my blue people. Darker blue? Violet? Lavender? And what about nipples? What color should they be?


It gives the expression blue balls an entirely different connotation. Every reference had to be carefully considered because while I like humor as much as the next person, I certainly didn't want inadvertant laughter from an ill considered description. I gave the females the ability to lock the male's penis inside during intercourse. Then I had to decide if that would be every time? Or if only at special times, what would determine when those times would be?


And you thought I only worried about whether the men had long hair! Speaking of hair...In this case I decided that hair colors and eye colors would resemble those out-valley. But hair styles for the men are determined by their position in the valley. There's an elaborate system of ranking that's indicated by the chinka colors. None of that made it into any of the books so far, but I know it's there and if I choose to use it in a plot, I won't have to worry about how it will affect earlier books.


The valley people have a variety of paranormal abilities. Some have been revealed in the stories, some have not yet made their appearance, but they are plotted out by individual so that three books down the line I don't have my editor saying to me, "Where the heck did that come from?"


Finally, it's not enough to invent the character, but you must make them real. They must have emotions and thoughts that make them someone the reader will care about. Sad to say, many vampires and wolfies are cardboard charcters, stamped out like so many ticky-tacky non-humans. I always wonder how does this character feel about being a vampire or alien? Aren't there things he/she must deal with that are less than pleasant? What are the advantages to being a vampire? How do they feel about never seeing the sun?


All of us must walk in our own skin so the only way we can experience the way other people live is if the writer shows us that inner life. In the end, that is what makes a successful character.


Anny


In this excerpt from Traveller's Refuge, we meet Wrenna and her brother Wolfe and watch as they deal with the unfortunate effects of their little brother's greed.


Without bothering to track down the rest of her sibs, she settled into her task for the afternoon—small squat clay jars destined to hold salves and ointments prepared and dispensed by her brother, Llyon in his healing practice. When she ran out of space on the tray she kept for curing, she realized that she had made twice as many as Llyon had requested while she was day-dreaming.

Well, perhaps it wasn’t exactly daydreaming. Mulling over the events of the past moon since her bond-brother had arrived wasn’t really daydreaming, except when she wondered what his brother, Traveller was really like. Her sister, Eppie had asked Dancer to describe Traveller but it wasn’t until he had shown them a small picture of Trav that Wrenna was completely heart-struck. Dancer had called the picture a photo and smiled as he gently ran a calloused fingertip over the glossy surface. Since Dancer didn’t smile very often, Wrenna was happy that the picture brought back good memories but she wished she was comfortable enough with her new bond-brother to ask for a closer look.

When she stared absently at the tray of jars and then shook her head, her loosely secured topknot listed precariously to one side. Ruefully she stared at her hands, strong pale blue fingers covered with creamy colored clay. Even after she wiped them on the tan smock covering her bright yellow meerlim, they were too dirty to touch her hair. With a deep sigh, she studied the small pots. No doubt Llyon would eventually use all of them but until then, she would have to find some place to store them after they were fired. Maybe Ciara, the herbalist at Dai’s Hamlet, would take a few. She sighed when she thought of the long walk down to Dai’s Hamlet just so she could find out what colors Ciara would need.

“Wrenna? Are you out here?” Wolfe pounded on the side of the dome with a heavy hand. “Can you come in, please? Cougar threw up all over me and I need help getting him cleaned up…”

She rushed over to the shop door, skidding to a halt when she caught the full meaning of her sib’s monologue. Ewww! Wrinkling her nose, she stared at the regurgitated blueberries covering his bare chest and filthy sharda. “You’re trying to tell me there was more than that in that boy’s belly? Where did he fit it?” she demanded.

“Exactly the problem,” Wolfe retorted. “He must have cleaned every bush in the Deep Meadow. Wait until you see him.”

She followed him back into the house, biting her lip to keep from chuckling. Wolfe was the most fastidious of all her siblings. She couldn’t even imagine how he’d tolerated the mess long enough to fetch her from her pottery shop. “Go on, Wolfe and get yourself cleaned up. I’ll take care of Cougar.”

“I’ll send Falcon to help you if he’s in our room,” he promised before turning away toward the bathing room he shared with his older brothers.

Wrenna went into the main bathing room and silently surveyed her youngest brother. Cougar stood naked in the empty bathing tub, his pale blue skin covered in goose bumps, shivering and filthy. His twin, Gazelle, sat on the toilet, slow tears running down her face while she mournfully held his hand. “All right, it’s not that bad,” Wrenna said kindly. “Cougar step out here on this bathing sheet and let me wipe the worst of it off of you and then we’ll run a warm bath and finish cleaning you up.” She studied him seriously for a moment. “Are you finished? Or is there more where this came from?”

He moaned. “No more.”

“Is that a wish or a fact?”

“Truth,” he muttered. “No more left.” He clambered out of the tub and stood while Wrenna wiped him down. When she judged that the worst was off, she motioned for him to get back in the tub and she started filling it with warm water.

“Gazelle, you stay with him while I run this out to the laundry tubs. Then you can tell me what happened.” Bundling up the bathing sheet along with his sharda and the dirty washing cloth, she carried it out to the laundry shed and dumped it in the soaking tub. His sandals, she figured were a lost cause but she dropped them next to the tub and returned to finish cleaning up one seven-year-old who she suspected would stay away from the blueberry bushes for a while—at least until next year.

When Cougar was finally clean and dry, she settled him in his bed with Gazelle to keep him company while she went back to the kitchen to prepare him some wachaz tea to settle his belly.


Wolfe, fresh from his bath, stalked past her with the bundle of his sharda and bathing sheet. His shiny black warrior braids were gathered up in a twist held by two carved skewers but the glassy chinkas on the ends still clinked musically when he moved. By the time he returned from the laundry shed, the tea was nearly ready.

“Cougar’s sandals aren’t worth messing with,” he observed shortly as he pulled the skewers from his hair, allowing his braids to slither down his back. He tucked the skewers in the waistband of his sharda and went to the sink to wash his hands. “I tossed them in the trash heap. They were his old ones, anyway.”

She nodded while she added a healthy dollop of honey to the tea. “I thought as much but he was waiting by the tub, so I just left them. I have plenty of hot water here. Do you want tea?”

He shuddered. “No thanks. I don’t think I could face anything right now. Do you think he’ll be okay?”

She cocked an eyebrow at him. “I think so. You’re the one with healer talent. Why?”

“He was violently ill. I’ve never seen any of us get that sick.” He took the mug of tea from her and led the way down to the room the younger boys shared. Gazelle was curled up next to Cougar, holding his hand and both were sound asleep. Wolfe set the mug on the bedside table and fetched a light coverlet to spread over them.

“Well, I guess he’s okay,” he said doubtfully. “Gazelle seems peaceful enough and she would be making a fuss if he wasn’t.” In the way of all of the twin sets in the family, Cougar and Gazelle shared the bad times as well as the good.

“He will be fine. Can you help me for a few minutes out in the shop? I need you to move a curing tray for me.”

Wolfe shot her a knowing glance before slowly shaking his head. “You made too many again, huh? What was it this time?”

“Oh, just thinking. So much has happened in the last moon.” She sighed quietly. “Dancer came and bonded with Eppie and then we had that terrible bonding storm. Llyon and Tyger finally swore a covenant bond. Homer died trying to kill Silence. It seems like it’s been several moons instead of just one.” She led the way out to the spacious dome perched on a low rise above the river. Completed only the week before, as a gift from the villagers, she still got a little thrill every time she looked at it. “I guess you didn’t find Falcon. He never came to help.”

“Hawke dragged Falcon out to the back patio to help him make a new loom,” Wolfe replied absently. “He damaged Hawke’s old one. You know how attached Hawke was to that loom just because Tyger gave to him. When Tyger gets past what he did to his own great loom on his bonding night, I’m pretty sure Hawke’s going to ask him to take him as an apprentice. I looked around for one of the others but they were all busy. Arano’s still out at Silence’s house helping her sort through Homer’s belongings. I don’t know what’s taking so much time. Surely he didn’t have that much stuff!

“As usual, Arturo is training the third level boys out at the field. You know that Panther and Llynx are still grounded for breaking old Marta’s window. Well, Arturo caught them down by the river and sent them home so now they’re weeding Mama’s garden.” He shrugged. “Hawke’s keeping an eye on them.”

“You would think with fourteen of us, there would be more help available,” she grumbled impatiently. “Ah well. The little twins will probably sleep for a while. After you move that tray for me, I’ll clean up and start dinner.”

He easily lifted the tray and carried it across to the shelves where she kept her curing items. “This all right?”

“Great. Would you mind very much going down to the smoke house and bringing something back for dinner?” She looked around at the mess in her shop with a vague glance. “I’ll be in as soon as I clean up.”

“Not a problem. What do you want?” he inquired while he casually picked up various items and set them in place with the ease of long familiarity. At one time, he had considered apprenticing with Wrenna but potting wasn’t in his future. He enjoyed it as a relaxing occupation for his free time but it wasn’t going to be his life’s work.

“What I really want are some gilly fish,” she said wistfully. “But I’ll settle for a rowan roast, I suppose.”

“In this heat? The kitchen would get hot enough to cook it without the oven.” Wolfe shook his head, setting his jeweled chinkas to tinkling like a waterfall. “Nah. I’ll drag Hawke and Falcon down to the river and we’ll catch enough gillies for dinner. We can cook them out on the grille on the patio. You fix the rest, okay?”

“Oh, yeah. That’s no problem at all.” He suffered a quick hug from Wrenna before making his escape but he didn’t miss the quick smile that lit up her face. Since Dancer had arrived, it seemed like her normally sunny disposition had gone into hiding. He had a notion that it had something to do with Dancer’s brother, Trav. He took a deep breath and then asked, “Wrenna, are you sure about Traveller? He’s the one?”

She froze, taking a long moment before she answered. “I’m sure—just as you’re sure that Raven is the one for you. Do you doubt that?” The serious expression on her face didn’t seem right. In all his eighteen years, Wolfe didn’t recall more than a handful of times that Wrenna wasn’t smiling. Mama had commented once that people with red hair supposedly were quick tempered but that definitely wasn’t Wrenna. She always had a smile on her sweet face and infinite patience.


“I don’t doubt our attachments,” Wolfe said slowly, trying to capture the essence of his unease. “I just wonder why? Why is each of us attached to Dancer’s siblings?"


More? Check out Traveller's Refuge from Ellora's Cave at http://www.ellorascave.com/productpage.asp?ISBN=9781419910593


Don't forget to check out Amarinda's blog at http://www.amarindajones.blogspot.com/ for her daily take on life as an Aussie. And then pop over to Kelly's blog at http://www.kkirch.blogspot.com/ where she's interviewing Norah (ND Hanson-Hill) author from Cerridwen Press. Blessings on your day!

Thursday, September 27, 2007

The True Grit

In the past few months I have come to some conclusions about the weird state of being an author.



1) There is a big difference between writing a book and selling a book. Big difference. If all I had to do was write the book--and here I'm including the followup stuff--editing, blurb, dedication, etc., then I've got that licked. Selling a book on the other hand, is... not nearly as easy as that old "build it and they will come". Nope. People don't spend money on new-fangled things, especially books.



2) You can't please all the people all the time, or some of the time, or for that matter, ever. I had a strange discussion with an acquaintance one day. "I would like to buy your book but it has sex in it." Okay. "What kind of books would you like to read?" "A romance. You know the sexy kind." Picture me clueless. "Uh, that's what I write--sexy romances." "Yeah, but yours have sex in them." Ooookay.



Another acquaintance won't buy the books because they're e-books. So I pointed out that they would eventually be in print. At which point she announced that she didn't buy print books because they take up too much space. Go figure that one out. In other words, she doesn't read.



Just for the record, I write sexy romances that are e-books that eventually will be print books. Glad we got that all straight.



3) There is no way to predict whether or not a book will sell. I'm not alone in this boat. Those NYC editors don't know either. Unfortunately, that doesn't make me feel better. It seems like someone ought to have the magic crystal ball that tells which books will be smash hits and which ones are non-starters right from the get-go. It would save a lot of time and aggravation, not to mention downright embarrassment when your book doesn't sell. Think how much simpler it would be if you could just shrug you shoulders and say "Eh, I didn't expect much because they told me it was a non-starter. But hey! They needed a book to fill out the line and I drew the lucky number." See? No harm, no foul.



4) There should be a union for reviewers with a charter and rules and all that other stuff. Then it might be possible to understand the average book review. Note that I said it might be possible. I don't hold out much hope for that if you want to know the truth. The entire review thing is pretty strange.



There are some authors whose books are reviewed almost before they hit the presses. I suspect that these are the "A" list authors--whether they are print or e-book, straight romance or some kinky genre. Or they're the reviewers best friends, favorite authors, or the review site's sponsors. Take your pick. When you look at the list of new reviews each week, month, or whatever the review site's schedule is and you see the same names reviewed over and over, then it would be hard to draw any other conclusion.



If you are lucky enough to have your book reviewed, then you have to decide how much weight to give to the review. What does it mean? What's the difference between a one and a five? How did the reviewer decide that? What did the reviewer not like? Often a review for a three will read nearly identical to a review for a five. So what's up with that?



Maybe I should quit writing and only review the first book by new authors. That way they would have at least one review. Hmmm. I'll have to think about that one.



5) Popularity contests did not cease to exist in high school. They're still with us. Only now they're called "Best Book" contests. Heh. There's no judging. There's no standards to meet to get on the various lists. All you have to have is a good friend who is willing to nominate you. Then, you gather your five hundred nearest and dearest and ask them to vote for you.



What's that? You say that you don't know five hundred nearest and dearest? Ahhhh, too bad. You lose. The contests are pretty harmless I suppose, unless you take them seriously and truly believe that your book is actually the best book if you win. I think I would rather have people vote with their credit cards. At least there you're on fairly even footing.



6) Writing does not get easier with each new book. It gets harder because you learn more about writing with every book. It doesn't take less time. It takes more time because of all those things you learned writing that last book. You spend more time trying to make sure that you don't repeat past mistakes. You strive to be a better writer with each new book. Think of it as an apprenticeship. In a vague sort of way, it even takes a tiny bit of spontaneity from you because you're conscious of all those old writing habits. Ce la vie.



7) Just because a person is a fellow author, that doesn't mean that they have any horse sense or sensibility, or manners. I have met some with less sense that the average hitching post, many that were rude, pushy, or oblivious, and quite a few that might have "book learning" yet remained abysmally ignorant and bigoted. Blessedly, they are the minority.



Unfortunately, they don't seem to understand that their actions reflect on all of us in the same profession. I could wish that every writer represented our profession proudly with distinction and respect. Writing is an endangered art. If you don't believe me, ask ten friends to write you a letter. Seven out of ten will refuse, but will offer to call you on the telephone. Two will be so illiterate that you can't read it. One will ask for assistance.



So where's the beef? I have none. I chose this profession and I'm proud of what I do. Not many get the opportunity to have a total stranger tell you how much they appreciate something you wrote. That's what makes it worth it in the end.



Anny

So would you like to read a snippet of Traveller's Refuge? Of course you would... In this snippet, Wrenna learns that there are drawbacks to bossing her brother Wolfe around.

She hummed as she spent some time sorting through the extra pots, vases, jugs and dishes she had prepared for sale at the market day. Most years, she made enough barter credits to make up over half her yearly credits. There were three market days per year—spring, summer and fall. Summer market day was the largest and had the most participants. With most of the villages in the valley isolated and far apart, the market days were opportunities to acquire or sell items that were unavailable the rest of the year. Tyger offered fine lengths of cloth. Llyon usually had extra small pots of commonly used salves. Arano and Arturo spent the late winter and spring tanning skins from their trapping. At least they always had until Arturo was attacked earlier this spring.

When she was satisfied that her proposed offerings were the best of her inventory, she set up supplies and prepared to make the deep baking pans Micah the baker had ordered—fifteen round bread pans for the chewy sunflower bread he made, twenty narrow oval pans for the dark pungent wachaz loaves and eight flat baking plates for the flat barbahla bread. The baking dishes were the last of her current orders to be completed and if her schalzina was any indication, it was none too soon. Once Traveller arrived in the valley, they would bond and enter their three moons of seclusion.

She bent over her wheel, absorbed in the intricacies of forming the oval wachaz pans and lost track of time. She jerked back in surprise and squeaked when Wolfe nudged her shoulder. “You startled me! What’s wrong?”

“You will no doubt be thrilled when I inform you that I’ve been assigned as your healer,” he replied sourly.

“What? When did that happen?” She sat back and stared at him in perplexed amazement.

He folded his arms across his bare chest and sighed. “This morning, at my meeting with Dai. At first, I was angry with you, thinking that you told him about my talents,” he admitted softly. “But Dai was very clear that Papa was the one that asked him to talk to me, just as Papa apparently told him about you. Papa wanted him to assess my talent before he spent any more time urging me to apprentice for healing.”

“So, clearly Dai’s verdict is that you are talented. I could have saved him the trouble,” she replied with a shrug. “Who are you apprenticing with?”

“Dai.” His dry, wry tone was eloquent.

“Well. That’s certainly interesting.” She leaned back and stared at him in astonishment. “Dai hasn’t had an apprentice since Llyon. Does that mean you’ll also be a Master Healer?”

“Apparently. When he’s satisfied that I’ve mastered the basics, he’s sending me down to Rebaccah’s Promise to apprentice under Henry.” He shifted uncomfortably under her interested gaze. “Well? Isn’t this what you kept pushing for? Aren’t you happy?”

Getting to her feet, she approached him and wrapped her arms around his waist. At first he held his body stiff and withdrawn but she persisted until he relaxed and returned the hug. “What am I going to do?” he muttered in despair.

“You’re going to be the best you can be. If you’re apprenticing under Henry, then Dai is truly certain that you are a gifted healer. Dai’s never been wrong as long as we’ve known him.” She rested her head against his chest and shivered. “Wolfe, you’re not selfish enough to deprive the valley of your gifts and talents.”

“Yeah, well, you may be sorry. Because the first thing I’m going to recommend is that you begin communication with Trav. You have two days to reach him and open a mind-touch link.” When she would have pulled away, his arms tightened around her shoulders. “Uhn-uh. If you haven’t completed your task by then, Dai said that he will forge a three way link between you, me and himself and then open that triple link with Trav. Consider that before you get all huffy about having your hand forced.”

“Son of a—”

“Don’t go there,” he warned her.

“Sea-biscuit!” She shoved away from him and stalked around the dome, muttering beneath her breath.

“I did tell you several days ago that you needed to reach him.”

“Don’t say ‘I told you so’!”

“Well?”

“Just go away!”

“For now,” he agreed. “But day after tomorrow, we will meet first thing in the morning after breakfast in the treatment room. Don’t be late.”

Don't forget to stop by Amarinda's blog at http://www.amarindajones.blogspot.com/ for her take on the Blogga Saga. And then stop by Kelly's blog at http://www.kkirch.blogspot.com/ for her guest author interview.

Friday, September 7, 2007

Contest winner, Word List, and the Were-Tick Story

It's Friday the day I promised a contest winner and the complete list of words submitted for the Scrabble contest. The winner (scientifically decided by husband drawing names from a hat) is Georgie! I'm offering an e-copy of any of my current releases--Dancer's Delight, Traveller's Refuge, or Chrysanthemum. Georgie e-mail me with the title and format you would like!

Word list--in no particular order--a lot of "q" words:
ai, aa, qwerty, onyx, quiz, leeward, knout, mewing, zax, qat, imp, pi, pate, spate, haj, toxic, quetzal, queazy, quartz, muzjik, onomtopoeia, plethora, pukeable, haiku, quark, zenon

If you can't confound your Scrabble competitors with some of those, get back to me. We'll run another contest, maybe.

Yesterday, fool that I am, I undertook to write a story about a were-tick. In case you don't know what a were-tick is, don't feel bad. No one else does either. Of course, that's the beauty of the thing because I get to make up the rules as I go along. Remember earlier this week I wrote about making up rules?

Well, here's where that's going to come in handy. A were is a being who can shapeshift from his animal shape to a human shape. So first of all, I've chosen for my were-tick to be a male whose name is Titus. Titus the tick. That's pretty much how far I've gotten at this point, but never fear, I have the story of Titus the were-tick percolating in the back of my brain. I should have something ready for prime-time by next week. I'll keep you up-to-date.

There is also a rumor going around that I'm probably part-alien, possibly with blue skin and pointy ears and fangs. To this, I plead the fifth. Good thing I live in America, eh? Why do you think I picked here when I beamed down from the mother ship. Imagine, I could have picked somewhere else like Amarinda. Or I could have decided to live all over the place like Kelly, but no-ooo. I settled on the ocean. My flippers are more comfortable in the water, you know?

It does make it difficult to go to the laundromat or shopping, but hey! Nothing much keeps me down. Not even dealing with a blog story that morphs with every episode. Today was Amarinda's turn. I tell you the woman has a fascination with that weird Queen. If you haven't read it yet, hop over there at http://www.amarindajones.blogspot.com/ and see what she's done now. Kelly has a great interview with Silhouette author Michele Hauf at http://www.kkirch.blogspot.com/ so check that out.

Pop in tomorrow to see what new twist I put on the blog saga. Until then,

Anny

Wednesday, September 5, 2007

No rules, just fun...

Yesterday I talked about world building. There is an important facet of world building that I left out. That is the laws or rules. Without rules you have chaos. All of us know that's the way it works in our everyday world. Its also true for the fantasy world the author creates. There are rules. The author decides what is allowed and what isn't. And once the decisions are made, then the author must stick to the rules.

When there are no rules... well, when there are no rules, you end up with something like our blog saga. Basically, we have two rules. No foul language and no blatant sex. That's because this is a public blog. Other than that, almost anything goes. Our universe is a place where a peeler can accomplish almost anything... where zucchinis explode and multiply... where Emmeline has glowing green laser eyes and Shade and Rafe can't seem to die. Its a place of multiple dimensions, dreams, tv shows, and nymphomaniac Queens. Every day people tune in to find out what new off the wall thing we've dreamed up, but the truth is that the blog is short. No one would want to read an entire book like this. Not even to find out what's in the purple box.

If you didn't read yesterday's episode, I truly recommend that you go to Amarinda's blog at www.amarindajones.blogspot.com and zip through it before you read mine. And then tomorrow of course, make sure you read Kelly's take on it at www.kkirch.blogspot.com and in the meantime you might want to catch the second half of her interview with the smoldering Lord Marcus. Yummmy. Always did love those lordly regency types.

Now that you've caught up with Emmeline, Louella, and the rest, here's what happens next:


Before she had time to answer, Jonas and Sam appeared behind her in a cloud of purple smoke. “Give me the box, Louella,” Jonas demanded advancing on her with determination in his eyes.

Emmeline stepped between Louella and the men, waving her peeler menacingly. “Back away! How dare you approach a woman!”

Jonas sneered at her peeler. “What the hell is that? A kitchen gadget? You’re threatening me with a kitchen gadget?” He threw his head back and howled with laughter.

Sam edged away, shifting so that he was behind Louella. His mama hadn’t raised any stupid boy children. The warrior woman looked quite capable of wiping the forest floor with Jonas and having enough energy left over to take on the rest of the Brotherhood.

Abruptly, Jonas leaned forward and snatched at the peeler. There was a stinky sizzle and a puff of black smoke and then he was gone. All that was left was two steaming sneakers. Sam regarded the warrior woman and her kitchen gadget with utmost respect.

Emmeline glared at him for a moment as though trying to decide if he was dangerous. Then she nodded curtly and motioned for them to follow her. “I see you’ve been raised properly,” she said to Sam. “Always follow three steps behind a woman.”

Sam bobbed his head in agreement. He was determined to stay with Louella as long as she had the purple box, no matter what he had to do. No matter what.


So what will happen next? Will the purple box explode? Will Sam forget to walk three steps behind Louella? Tune in to Kelly's blog tomorrow to find out!

anny

And now, a demonstration of the rules from Traveller's Refuge. In this scene, Wrenna's younger brothers have taken something that doesn't belong to them. Justice must be served especially in the valley where all boys are raised to be warriors with a strict code of ethics. Theft is against that code of ethics.

In the kitchen, Arturo was refereeing a three way conversation between Llynx, Panther and their teacher, Samara McCrory. “The boys brought this item to their calligraphy class with them,” she was explaining to Arturo. “I don’t believe it belongs to them but whether it does or not, it definitely doesn’t belong in my classroom.”

Arturo picked up the object and studied it intently. “It’s a photograph. I recognize Dancer and Traveller.” He shot a stern glance at the boys and inhaled sharply. “It definitely doesn’t belong to either one of you. Where did you get it?”

Panther stared down at his tightly clenched fists resting on the table and remained mute. Llynx scowled mutinously at Samara and muttered, “We found it.”

Undeterred Arturo questioned, “Where did you find it?”

“Around.”

Unknown to the boys, Bishop and Wrenna had been observing the scene from the hallway. Bishop decided to take part in their discussion. “Around—perhaps that would be around Trav’s belongings in our room?”

Vigorously, Llynx shook his head, sending his shiny black braids clinking. “No-oo.” He exchanged looks with Panther and then dropped his head so that the others couldn’t see his face.”

“Let us be clear about this,” Arturo said crisply. “Anytime you lie to get out of trouble, that is worse that the thing you did to get into trouble. Is that not what Mama and Papa have said before?”

Panther ducked his bright auburn head and nodded. “Yeah.”

“So. Where did you get Traveller’s photograph?”

“In Traveller’s pack,” Panther muttered, close to tears.

Bishop pursed his lips in thought. “When you take something that doesn’t belong to you that is theft. What is the penalty for theft here in the valley?” he inquired idly.

The other adults stared at each other in dismay before Samara said quietly, “The judgment seat.”

Now openly crying, both boys jumped from their seats and rushed to Arturo, burrowing against him. “No! Don’t let them take us!” they wailed in genuine fear.

Bishop was astonished. “What’s going on? What is this judgment seat?”

Wrenna shook her head. “When an individual commits a crime, they are bound and taken to the peak of Needle Rock and left there. It is the Judgment Seat. The Valley judges their guilt or innocence. If innocent, their bindings are dissolved and they go free and exonerated. If guilty, they are consumed in a flash of fire. That is not an appropriate punishment for a child.”

“No, of course not!” he declared, appalled at the very idea.

“There must be punishment, however,” Arturo said firmly. Guiding the boys back to their seats with a little nudge on their shoulders, he directed them to sit. “Now! Enough of the caterwauling. Certainly, you will not be taken to the judgment seat but you must make restitution.”

Panther and Llynx scrubbed the tears from their faces with grubby hands and hiccupped.

“Okay,” Panther whispered miserably while Llynx nodded agreement.

“This is my judgment,” Arturo announced. “As your morkert I pronounce this judgment.” His formal tones were solemn and weighty. “You will surrender your chinkas for a period of two eight-days and wear your hair unbound that all may know of your punishment for lying. You will not attend the Mid-Summer Gathering but will sit in the doorway of Wrenna’s pottery so that all may see you and know of your punishment for theft. This is my judgment. Do you stand as witness, Bishop?”

“I stand as witness,” Bishop agreed gravely.

Arturo held out his hand and the boys reluctantly pulled the chinkas from their braids, one by one. Wrenna brought a clear bowl from the cupboard and Arturo deposited the carved white chinkas with a sound that reminded Bishop of glass pebbles. Silently, Arturo waited as they loosened the tight braids and completely unbound their hair. Then he quirked a dark eyebrow and said, “I think I hear your room calling you.” Both boys scrambled from their seats and rushed down the hallway to their room.

When they were gone, Bishop sighed and shakily found a seat. “Okay. Now I have a few questions.”

If you would like to know more check out Traveller's Refuge at http://www.ellorascave.com/productpage.asp?ISBN=9781419910593

Tuesday, August 28, 2007

What If?

My sister-in-law and I were discussing science fiction and fantasy versus reality in fiction. She finds that the impossibilities or improbabilities stop the narrative flow for her so she doesn't enjoy the story. I've known quite a few people like that. My daughters prefer non-fiction inspirational material. My second son prefers westerns. Fortunately, my oldest son enjoys playing the what if game. Other wise I would feel totally isolated as their father (and my husband) is the most literal minded man on earth.

Even as a kid, I was always attracted to the fantastic and futuristic. When other kids were reading Nancy Drew and the Hardy Boys, I was devouring Tom Swift and Gulliver's Travels. Perhaps that was because I had enough grim reality in my life already. I know that books were my solace through lonely, difficult times. Books don't walk away or reject or make fun of the reader. They're loyal companions, always there when needed.

I used to think that all people were like me, but now I know that there are a lot of people who are uncomfortable with the uncertainty implied in what if. They cling to the concepts and places they are familiar with because the fantastic makes them feel insecure. That's okay. Fortunately in the world of books, there's something for everyone.

My brain is evidently hard-wired for the what ifs in life. Instead of assuming the most logical string of events, my mind hops out there to peer at the most far out what if. I used to fight it in my writing, but finally I conceded that was just the way I am. The book I'm currently working on opens with a small plane flying through a storm. Two possibilities--the plane crashes or it doesn't. But of course in my story, it crashes. Two possibilities--the people die or they survive. Of course they survive. Otherwise there wouldn't be a story. Now what? There my brain took a sideways hop and my characters ended up back in BC with natives throwing rocks at the shiny beast that suddenly appeared in their formerly pristine meadow.

See? That's just the way it is. In the blog I'm writing with Amarinda and Kelly, our readers think I deliberately tossed in a peeler. Not so. That was just a normal brain glitch. It could have easily been a bottle brush or a nail clip. I reached into the grab bag and pulled out a peeler.

The what if gene is both a gift and a curse. It makes it very difficult to write a straight romance. Goodness knows I've tried. Everytime I begin a perfectly normal story line, it jogs off into the brush where I need an off road vehicle to follow along. Witness the plane crash story. What should have been straight forward has gotten lost in the mists of time. Ah, well. The research should be interesting. I learn a lot of new things by playing what if...

Anny

Speaking of jogging off the beaten path... Amarinda has dragged us off into la-la land. Check it out at http://www.amarindajones.blogspot.com/ and if you missed Kelly's set up for this, hurry over to http://www.kkirch.blogspot.com/ and catch up.

I'll leave you with a small peek at Traveller's Refuge:

When Bishop woke, a very old, smallish blue man was leaning over Traveller. He had both hands spread out over him and was slowly moving them along Trav’s body as though he could see through the skin with them. The man noticed that he was awake and nodded to him. “Your friend is badly hurt,” he announced. “I’ve called for help to move him.”

“Who are you?” Bish asked in puzzlement. He had never seen anything like the strange man. His long silver hair, arranged in a multitude of small braids, each finished with a jeweled clasp, pooled around his knees as he knelt next to Trav. When he moved, the clasps clinked together like a delicate wind chime. Bishop squinted in the cave’s dim light, unwilling to accept the hint of fangs and delicately pointed ears he could swear the little man had. His face reminded Bish of a withered apple, except for those bright, twinkling green eyes. They brought to mind bird eyes. The little old man had some sort of cloth wrapped around his lower body and soft leather sandals.

“I am Dai.”

“Uh-huh. And who are you when you’re home, Die?” Bish’s brows rose in query.

“I am Dai. A healer.” He looked directly at Bishop. “Your friend is in need of a healer.” His head came up as he heard people approaching. “Good. Help has arrived and soon your friend will be more comfortable.”

Shoving the blanket away, Bish clambered to his feet. No one was going to move Trav until he talked to somebody that made more sense. Several people appeared on the pathway behind the waterfall shielding the cave, carrying bright light wands and all talking at once. When they saw Bish, the babble stopped abruptly as though cut with a knife.

The oldest man in the group tilted his head to one side, smiled widely revealing definite pointed fangs and said calmly, “Hello, Bishop. Fancy meeting you here.”

Bish knew that voice though he hadn’t heard it in many years. He sat down so suddenly he had bruises on his backside for a week. He shook his head very slowly and then just stared. “Baron.” His eyes grew round with shock as he really looked at him. Baron’s black hair, shot through with silver streaks now, was arranged like the old man’s hair. He wore the same soft skirt-like garment with matching vest and the soft sandals. And in the light of the wands they carried, his skin was indisputably blue. Almost absently, Bishop noted the gently pointed ears, pierced and decorated with multiple gold rings. After a minute, he realized that he was opening and closing his mouth like a goldfish but no sound was coming out. He tried again but it came out as a hoarse croak. “Baron.”

Merlyn came and squatted down next to him, with his arm across his shoulder. “Bish, I’m glad to see you.” He gestured for the others to come closer. “This is part of my family. Llyon. Tyger.” Two tall young men with blinding red hair arranged in tight twists on top of their heads. “Wrenna.” A tiny young woman with locks the color of glorious sunrise streaming down her back. “And two men from our village, Jonas and Mali. And you remember Jade, don’t you?” Yes, he remembered Jade but she looked quite different with her glowing auburn hair bound up in some kind of braided coronet arrangement sprinkled with tiny jewels. He had never seen her when her hair was this neat. And they were all blue…